No Country For Old Tropical Robots (Can't say that's not original)

On Tuesday the 19 February 2008, I went to see No Country for Old Men. As soon as I got home I wrote noted for a review on my white board and wrote a quick blog post about how amazing it was. It was not until today that I actually finished my review, 5 months after I started. I’ve even written other reviews since then, strange. Anyhoo my review is now available on Amateur Critic Reviews.

Around a week ago, I got an email from the Times about a free preview of Wall-E showing yesterday. I immediately signed up for 4 tickets (the maximum) as all the internet buzz about it got me quite excited. I first heard about it in my January issue of Empire, they did a showcase of the top films that would be coming out this year. I ignored it at this point, it failed to grab me. However, as soon as I started to see clips on the internet I was hooked. Anyhoo, it was great! I saw it with my brother, sister and cousin, I would go so far as to say that it is the best Pixar film so far. Unlike most Pixar films, there was a clear dark undercurrent allowing the film to work on 2 levels. I wrote a review of it too. I’ve certainly been busytoday.

A film I’ve mentioned previously is Tropic Thunder, a war movie farce starring Ben Stiller, jack Black and Robert Downey Jr. I’ve been following this online for months and have been wondering how I will manage to wait until September to see it. The solution, I won’t see it in September! They’re holding previews of it in August and I’ve made It my mission to se it. I presently have no cash, this will of course be rectified after a trip to the bank. The seats are selling fast so I may have to sort this out tomorrow. Here’s a nice Wall-E clip to take up some space, In mean. for your viewing pleasure.

Just Sayin' Stuff

I reminisce about the times when half term was essentially extended play time. Nothing to worry about, wake up when I want, sleep as late as I want and so on. Last week was half term. I don’t feel rested, I barely do any lie-ins, it was like college-but at home. I was given 3 tasks to do; revise for a maths mock and write two essay. I thought logically about this and decided to finish the essays than do the revision. The essays took the whole week! I didn’t get to revise until after I returned to college and I think this will be reflected in my results. The test was today, I think I scraped 50%. Oh well, there’s next time (meaning the real exam).

I was motivated by this incident. I currently have no work to do so I decided to revise for the upcoming real exams. I actually got some revision done, then, I could work no more. I think my attention span is getting shorter and shorter. I played some Wii games then started to write. No, I tell a lie, I finally started writing my review for No Country For Old Men, then I lost inspiration and gave up. I think I’ll got and enjoy what I left of my day. Goodbye horses.

Virgin stole my Oscars

We all know that yesterday (well, this morning if you live in the UK) was Oscar time. I, being the movie nerd I am sat up to watch it from one thirty. I set the recorder just in case I fell asleep. Okay, so I'm watching the Oscars Javier has won best supporting actor, the Coens have won best screenplay and I'm simply beaming. As the show goes on I type my summary article for Helium, that's dedication for you. Anyhoo, they're announcing the best cinematography (and Cameron Diaz can't pronounce it), I quickly write down that the expected winner is Roger Deakins and guess what happens. The TV says that the channel is off air. Damn you Virgin Media. I didn't get to see Daniel Day-Lewis or the Coens accept their Oscars. It’s not like Sky movies comes off air at 4 because, on Sky Movies Drama, The Departed was still on. Branson, my opinion of you isn’t getting any better.

Oscars Summary

The carpet's out, the stars made up and the winners pre-decided. That's right, the 80th Academy awards have finally come our way. We were unsure as to whether there would even be a ceremony; there was, and it was splendid. Each year, the ceremony gets bigger and this year was not exception.

Naturally, we open with a few jokes with our host, John Stewart. No topic was ignored he touched on the writer's strike, the election and the increasing darkness of the academy.

Achievement In Costume Design
Presented by Jennifer Garner the award had many impressive designers, the classic French work for Vie En La Rose, the period piece, Atonement. Alexandra Byrne won her first Oscar for Elizabeth: The Golden Age. Previously, Byrne had been nominated for Hamlet.

George Clooney gives us a short intro about notable moments in Oscar history showcasing a plethora of key moments. This is the first of many montages featured throughout the ceremony including a tribute to bad dreams (included solely as a joke of course).

Best Animated Feature
Anne Hathaway and Stave Carrel, naturally entertaining presented the award. It was the film everyone expected to win, Ratatouille by Brad Bird.

Achievement in Make-Up
And the award goes toNorbit, only joking. The Oscar was won for the amazing work put into La Vie En La Rose by Didier Lavergne and Jan Archibald. It took great effort to convincing turn Marion Cotillard into Edith Piaf.

Achievement of Visual Effects
The award went to Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood for the Golden Compass.

Achievement in Art Direction
Many impressive works were in the category, the grim and fantastical Sweeny Todd, the classic, Atonement and the magical Golden Compass. The Oscar went to Dante Ferretti (Art Direction); Francesca Lo Schiavo (Set Decoration) for Sweeny Todd

Best Performance by an Actor in a Supporting Role
The first acting award of the ceremony this was one of the awards everyone thought they knew the winner would be. The predictions were correct and Javier Bardem won his Oscar for his role as the psychopathic and terrifying Anton Chigurh. Included in his speech were a few phrases in Spanish for his mother.

Best Live Action Short Film
Presented by Owen Wilson was one of the lesser awards. The Oscar goes to Le Mozart Des Pickpockets (The Mozart of Pickpockets) a tale about two crooks who take a young mute boy into their care.

Best Animated Short Film
The Oscar went to Peter and the Wolf by Suzie Templeton and Hugh Welchman.

Best Performance by an Actress in a Supporting Role
This is most certainly one of the more unsure awards. Many had their eye on Cat Blanchette for I'm Not There. As predicted by the BAFTAs Tilda Swinton won the ward for her role in George Clooney's Michael Clayton.

Best Writing, Screenplay Based on Material Previously Produced or Published
On of the awards that we weren't sure about the winner, the nominees all seemed to have an equal chance. The Coen Brothers took their first award for No Country For Old Men based on the novel by Cormac McCarthy.

Best Sound Editing
Karen Baker Landers and Per Hallberg took the award for best sound edition for the swift and cool, The Bourne Ultimatum

Achievement in Sound Mixing
Another sound award for the Bourne Ultimatum taken by Scott Millan, David Parker and Kirk Francis.

Best Actress in a Leading Role
This award was bit of a wildcard; the winner became less and less clear as time passed. Although the BAFTAs were right again, surprisingly, the award went to Marion Cotillard for her unrecognisable performance as Edith Piaf in La Vie En La Rose.

Achievement in Film Editing
Yet another award for the Bourne Ultimatum. Christopher Rouse won the award for achievement in film editing.

Best Foreign Language Film
The films within the foreign language category were more certainly not the most well-known foreign language films of the year. The award went to the Austrian film, The Counterfeiters set during World War Two.

Best Original Song
Although nominated for three of the five films with the best song category fail to win any awards for enchanted. The winners were for the song "Falling Slowly" in Once.

Achievement in Cinematography
There was a strong consensus that Roger Deakins would win the best cinematography for either The Assassination of Jesse James by the Coward Robert Ford or No Country for Old Men. As they say, the best things come to those who wait and after 7 nominations Roger Deakins finally won the Oscar for No Country For Old Men.

Best Documentary Feature
For the dark documentary centred around an Afghan taxi driver beaten to death in U.S. military the award went to Alex Gibney and Eva Orner for Taxi to the Dark Side.

Best Performance by an Actor in a Leading Role
Guess. The award everyone was 99.99% sure about the winner. Shock, horror (!) Daniel Day Lewis wins his second Oscar for is powerful role as Daniel Plainview in There Will Be Blood.

Best Writing, Screenplay Written Directly for the Screen
As time went on, people gained more and more faith in Juno, an arguably small film. Like Sidney Lumet said about actors there are also no small films and the award deserving went to Diablo Cody, writer of Juno.

Achievement in music written for motion pictures (Original Score)
The second academy award nomination for Dario Marianelli who won it for the grand score for Atonement.

Achievement in directing
The first directing team to win this coveted Oscar since 1961; the crowd goes wild as Joel and Ethan Coen received the award for No Country for Old Men.

Best motion picture of the year
The big one. A reward received by such films as In the Heat of the Night and The Godfather, the ultimate reward for any filmmaker. This was the fourth award of the evening for No Country For Old Men.

It was clearly No Country for Old Men's Night it received some of the most prestigious awards in the film industry. Not so lucky films were Atonement nominated for seven award and There Will Be Blood, nominated for eight awards. Each received one award.

Oh my Coen Brothers

Well I did it. I finally saw No Country For Old Men. It is a master piece and I would go so far as to say this it was effing awesome. Oh my gosh the lighting. Oh my gosh the sound. Oh my gosh the acting. Oh my gosh, that’s how it ended. Wow. I’m not too sure how to convey how great the film was in words. It is my intention to review it at some point, naturally, during the course of the film my little review points made into my head. I got home and put my white board to use. See below:
Roger Deakins is the king of cinematography. I just need to see Juno, There Will be Blood and The Diving Bell and the Butterfly to gauge what film, in my opinion, was the best picture of 2008. I know what you’re thinking-didn’t she write her Oscar predictions including best picture already? Damn right I did, but that is very easy to do without watching the films. I must say that watching No Country For Old Men has made it even harder to predict a winner. I don’t think I’ve given No Country… enough time so I will get back to it tomorrow. The sister want to use the computer.

Sitting on the chair in my room...wastin' time

Okay, it the first day of half term, I intended to do so much today. Star off with some maths, do a bit of a sociology essay, then some psychology revision. I did some maths then sat in this chair to star typing the essay. I haven't even opened Microsoft Word. I'm meant to be going to the cinema at five to finally see No Country for Old Men. So, the day is practically gone. Shame on me.

I haven't really done nothing. I've written one blog (see below) and completelr re-vamped one of the other blogs (Amateur Critic Reviews ch-ch-ch-check it out). That took considerably longer than the re-vamping of this one.

Time to get ready. Goodbye Horses.

Oscar? Who's Oscar?

Oscar predictions (I wrote this ages ago)

The Oscars are on their way so and despite worries there they may be no ceremony the prediction have begun. Like any year, a handful of films have dominated the nominations. No Country for Old Men, the Cohen Brothers' new masterpiece has been nominated for a staggering 8 awards along with Paul Thomas Anderson's violent tale, There Will Be Blood. Representing British cinema, Atonement is out win seven awards including best picture. Will Atonement be as successful as The Queen, we'll have to wait and see.

Performance by an actor in a leading role

Johnny Depp has always been one of the critics favourites and has now been nominated for his third Oscar. However, this year, the Oscar will probably go the Daniel Day-Lewis the recipient of one Oscar already. His performance as the ruthless business man, Daniel Plainview, in There Will Be Blood.

Performance by an actor in a supporting role

Javier Barden lost out on his first Oscar to Russell Crowe in 2000, but that will not be the case this year. It's no secret that his performance in No Country for Old men has impressed most it is most certainly his year.

Performance by an actress in a leading role
We always say that actors and actresses in comedy film fo not get the credit they deserve and many said that Ellen Page should be nominated for an Oscar for Juno but few thought it would actually happen. Unfortunately for Miss Page, the winner of the award look like it's going to be Cate Blanchett for her reprise of her role of Queen Elizabeth in Elizabeth: The Golden Age.

Performance by an actress in a supporting role
Young Saoirse Ronan conveyed a believable and moving performance as Briony Tallis in Atonement. The combination of her young age and acting ability that is beyond her years that should win her this Oscar.

Best animated feature film of the year

Ratatouille is a film that has impressed the critics. There is little doubt that this well crafted story of a rat in a kitchen will win the Oscar.

Achievement in art direction

Sarah Greenwood and Katie Spencer appear to be Joe Wrights go-to team for Art Direction. Everyone loves the aesthetics of a period drama and this is why the Oscar for Achievement in Art Direction shall go to Sarah Greenwood and Katie Spencer.

Achievement in directing

This is the award that seems to have the Coens' names all over it. They have really struck back with No Country for Old Men and it look like it will win one of the Oscars that Fargo did not.

Best documentary feature

Michael Moore may be the one of the first documentary makers that spring to mind but it is unlikely that he will get his hands in this Oscar. Charles Ferguson's depiction of the war in Iraq appears to be the frontrunner for Best Documentary Feature.

Best foreign language film of the year

Representing Austria, The Counterfeiters (Flscher, Die) illustrates the huge counterfeiting operation set up by the Nazi's during the war. It is more than likely that The Counterfeiters Will clench this Oscar.

Achievement in music written for motion pictures (Original Score)

Dario Marianelli's score for a Atonement is one of those scores that is perfect for the film in very way. As a freestanding piece and score alone Marianelli's composition is striking.

Best motion picture of the year

Ooo, the big one. No Country for Old Men and There Will be Blood are clearly the frontrunners. I honestly has no idea who will take this one.

Indeed

Little Gold Men

The Golden Globes have just gone by so naturally the peak of the awards season is coming our way. That’s right, the army of little gold men symbolising the most prestigious film awards, the Oscars. We are still unaware as to whether the ceremony will take place. The writers strike resulted in a press conference but could this be the same for the Oscars, they are by far more glamorous than the Golden Globes. So have suggest that cancelling the ceremony could cause the writers to lose the sympathy of their supporters. We’ll just have to wait and see what happens.

A we may have guessed, No Country for Old Men has been nominated for an immense number of awards. The Coen Brother’s new masterpiece has been nominated for an impressive 8 awards; Performance by an Actor in a Supporting Role (Javier Barden), Achievement in Cinematography (Roger Deakins), Achievement in Directing (Joel and Ethan Coen), Achievement in Film Editing (Joel and Ethan Coen), Best Motion Picture of the Year, Achievement in Sound Editing (Craig Berkey), Achievement in Sound Mixing and Adapted Screenplay.

Representing great British Cinema, Atonement has been nominated for a still impressive seven awards including Best Picture. Unfortunate for some, Keira Knightley has not been nominated for best actress.

The rest of the nominations are as follows.

Performance by an actor in a leading role
George Clooney in "Michael Clayton" (Warner Bros.)
Daniel Day-Lewis in "There Will Be Blood" (Paramount Vantage and Miramax)
Johnny Depp in "Sweeney Todd The Demon Barber of Fleet Street" (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount)
Tommy Lee Jones in "In the Valley of Elah" (Warner Independent)
Viggo Mortensen in "Eastern Promises" (Focus Features)

Performance by an actor in a supporting role
Casey Affleck in "The Assassination of Jesse James by the Coward Robert Ford" (Warner Bros.)
Javier Bardem in "No Country for Old Men" (Miramax and Paramount Vantage)
Philip Seymour Hoffman in "Charlie Wilson's War" (Universal)
Hal Holbrook in "Into the Wild" (Paramount Vantage and River Road Entertainment)
Tom Wilkinson in "Michael Clayton" (Warner Bros.)

Performance by an actress in a leading role
Cate Blanchett in "Elizabeth: The Golden Age" (Universal)
Julie Christie in "Away from Her" (Lionsgate)
Marion Cotillard in "La Vie en Rose" (Picturehouse)
Laura Linney in "The Savages" (Fox Searchlight)
Ellen Page in "Juno" (Fox Searchlight)

Performance by an actress in a supporting role
Cate Blanchett in "I'm Not There" (The Weinstein Company)
Ruby Dee in "American Gangster" (Universal)
Saoirse Ronan in "Atonement" (Focus Features)
Amy Ryan in "Gone Baby Gone" (Miramax)
Tilda Swinton in "Michael Clayton" (Warner Bros.)

Best animated feature film of the year
Persepolis (Sony Pictures Classics): Marjane Satrapi and Vincent Paronnaud
Ratatouille (Walt Disney): Brad Bird
Surf's Up (Sony Pictures Releasing): Ash Brannon and Chris Buck

Achievement in art direction
American Gangster (Universal): Art Direction: Arthur Max; Set Decoration: Beth A. Rubino
Atonement (Focus Features): Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
The Golden Compass (New Line in association with Ingenious Film Partners): Art Direction: Dennis Gassner; Set Decoration: Anna Pinnock
Sweeney Todd The Demon Barber of Fleet Street (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount): Art Direction: Dante Ferretti; Set Decoration: Francesca Lo Schiavo
There Will Be Blood (Paramount Vantage and Miramax): Art Direction: Jack Fisk; Set Decoration: Jim Erickson

Achievement in cinematography
The Assassination of Jesse James by the Coward Robert Ford (Warner Bros.): Roger Deakins
Atonement (Focus Features): Seamus McGarvey
The Diving Bell and the Butterfly (Miramax/Pathé Renn): Janusz Kaminski
No Country for Old Men (Miramax and Paramount Vantage): Roger Deakins
There Will Be Blood (Paramount Vantage and Miramax): Robert Elswit

Achievement in costume design
Across the Universe (Sony Pictures Releasing) Albert Wolsky
Atonement (Focus Features) Jacqueline Durran
Elizabeth: The Golden Age (Universal) Alexandra Byrne
La Vie en Rose (Picturehouse) Marit Allen
Sweeney Todd The Demon Barber of Fleet Street (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount) Colleen Atwood

Achievement in directing
The Diving Bell and the Butterfly (Miramax/Pathé Renn), Julian Schnabel
Juno (Fox Searchlight), Jason Reitman
Michael Clayton (Warner Bros.), Tony Gilroy
No Country for Old Men (Miramax and Paramount Vantage), Joel Coen and Ethan Coen
There Will Be Blood (Paramount Vantage and Miramax), Paul Thomas Anderson

Best documentary feature
No End in Sight (Magnolia Pictures) A Representational Pictures Production: Charles Ferguson and Audrey Marrs
Operation Homecoming: Writing the Wartime Experience (The Documentary Group) A Documentary Group Production: Richard E. Robbins
Sicko (Lionsgate and The Weinstein Company) A Dog Eat Dog Films Production: Michael Moore and Meghan O'Hara
Taxi to the Dark Side (THINKFilm) An X-Ray Production: Alex Gibney and Eva Orner
War/Dance (THINKFilm) A Shine Global and Fine Films Production: Andrea Nix Fine and Sean Fine

Best documentary short subject
Freeheld A Lieutenant Films Production: Cynthia Wade and Vanessa Roth
La Corona (The Crown) A Runaway Films and Vega Films Production: Amanda Micheli and Isabel Vega
Salim Baba A Ropa Vieja Films and Paradox Smoke Production: Tim Sternberg and Francisco Bello
Sari's Mother (Cinema Guild) A Daylight Factory Production: James Longley

Achievement in film editing
The Bourne Ultimatum (Universal): Christopher Rouse
The Diving Bell and the Butterfly (Miramax/Pathé Renn): Juliette Welfling
Into the Wild (Paramount Vantage and River Road Entertainment): Jay Cassidy
No Country for Old Men (Miramax and Paramount Vantage) Roderick Jaynes
There Will Be Blood (Paramount Vantage and Miramax): Dylan Tichenor

Best foreign language film of the year
Beaufort Israel
The Counterfeiters Austria
Katyn Poland
Mongol Kazakhstan
12 Russia

Achievement in makeup
La Vie en Rose (Picturehouse) Didier Lavergne and Jan Archibald
Norbit (DreamWorks, Distributed by Paramount): Rick Baker and Kazuhiro Tsuji
Pirates of the Caribbean: At World's End (Walt Disney): Ve Neill and Martin Samuel

Achievement in music written for motion pictures (Original score)
Atonement (Focus Features) Dario Marianelli
The Kite Runner (DreamWorks, Sidney Kimmel Entertainment and Participant Productions, Distributed by Paramount Classics): Alberto Iglesias
Michael Clayton (Warner Bros.) James Newton Howard
Ratatouille (Walt Disney) Michael Giacchino
3:10 to Yuma (Lionsgate) Marco Beltrami

Achievement in music written for motion pictures (Original song)
Falling Slowly from Once (Fox Searchlight) Music and Lyric by Glen Hansard and: Marketa Irglova
Happy Working Song from Enchanted (Walt Disney): Music by Alan Menken; Lyric by Stephen Schwartz
Raise It Up from August Rush (Warner Bros.): Nominees to be determined
So Close from Enchanted (Walt Disney): Music by Alan Menken; Lyric by Stephen Schwartz
That's How You Know from Enchanted (Walt Disney): Music by Alan Menken; Lyric by Stephen Schwartz

Best motion picture of the year
Atonement (Focus Features) A Working Title Production: Tim Bevan, Eric Fellner and Paul Webster, Producers
Juno (Fox Searchlight) A Dancing Elk Pictures, LLC Production: Lianne Halfon, Mason Novick and Russell Smith, Producers
Michael Clayton (Warner Bros.) A Clayton Productions, LLC Production: Sydney Pollack, Jennifer Fox and Kerry Orent, Producers
No Country for Old Men (Miramax and Paramount Vantage) A Scott Rudin/Mike Zoss Production: Scott Rudin, Ethan Coen and Joel Coen, Producers
There Will Be Blood (Paramount Vantage and Miramax) A JoAnne Sellar/Ghoulardi Film Company Production: JoAnne Sellar, Paul Thomas Anderson and Daniel Lupi, Producers

Best animated short film
I Met the Walrus A Kids & Explosions Production: Josh Raskin
Madame Tutli-Putli (National Film Board of Canada) A National Film Board of Canada Production Chris Lavis and Maciek Szczerbowski "Même Les Pigeons Vont au Paradis (Even Pigeons Go to Heaven)" (Premium Films) A BUF Compagnie Production Samuel Tourneux and Simon Vanesse
My Love (Moya Lyubov) (Channel One Russia) A Dago-Film Studio, Channel One Russia and Dentsu Tec Production Alexander Petrov
Peter & the Wolf (BreakThru Films) A BreakThru Films/Se-ma-for Studios Production Suzie Templeton and Hugh Welchman

Best live action short film
At Night A Zentropa Entertainments 10 Production: Christian E. Christiansen and Louise Vesth
Il Supplente (The Substitute) (Sky Cinema Italia) A Frame by Frame Italia Production: Andrea Jublin
Le Mozart des Pickpockets (The Mozart of Pickpockets) (Premium Films) A Karé Production: Philippe Pollet-Villard
Tanghi Argentini (Premium Films) An Another Dimension of an Idea Production: Guido Thys and Anja Daelemans
The Tonto Woman A Knucklehead, Little Mo and Rose Hackney Barber Production: Daniel Barber and Matthew Brown

Achievement in sound editing
The Bourne Ultimatum (Universal): Karen Baker Landers and Per Hallberg
No Country for Old Men (Miramax and Paramount Vantage): Skip Lievsay
Ratatouille (Walt Disney): Randy Thom and Michael Silvers
There Will Be Blood (Paramount Vantage and Miramax): Matthew Wood
Transformers (DreamWorks and Paramount in association with Hasbro): Ethan Van der Ryn and Mike Hopkins

Achievement in sound mixing
The Bourne Ultimatum (Universal) Scott Millan, David Parker and Kirk Francis
No Country for Old Men (Miramax and Paramount Vantage): Skip Lievsay, Craig Berkey, Greg Orloff and Peter Kurland
Ratatouille (Walt Disney): Randy Thom, Michael Semanick and Doc Kane
3:10 to Yuma (Lionsgate): Paul Massey, David Giammarco and Jim Stuebe
Transformers (DreamWorks and Paramount in association with Hasbro): Kevin O'Connell, Greg P. Russell and Peter J. Devlin

Achievement in visual effects
The Golden Compass (New Line in association with Ingenious Film Partners): Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood
Pirates of the Caribbean: At World's End (Walt Disney): John Knoll, Hal Hickel, Charles Gibson and John Frazier
Transformers (DreamWorks and Paramount in association with Hasbro): Scott Farrar, Scott Benza, Russell Earl and John Frazier

Adapted screenplay
Atonement (Focus Features), Screenplay by Christopher Hampton
Away from Her (Lionsgate), Written by Sarah Polley
The Diving Bell and the Butterfly (Miramax/Pathé Renn), Screenplay by Ronald Harwood
No Country for Old Men (Miramax and Paramount Vantage), Written for the screen by Joel Coen & Ethan Coen
There Will Be Blood (Paramount Vantage and Miramax), Written for the screen by Paul Thomas Anderson

Original screenplay
Juno (Fox Searchlight), Written by Diablo Cody
Lars and the Real Girl (MGM), Written by Nancy Oliver
Michael Clayton (Warner Bros.), Written by Tony Gilroy
Ratatouille (Walt Disney), Screenplay by Brad Bird; Story by Jan Pinkava, Jim Capobianco, Brad Bird
The Savages (Fox Searchlight), Written by Tamara Jenkins